YOU SAID:

Then two faint lights appear, close together... growing brighter. They resolve into two DEEP SUBMERSIBLES, free-falling toward us like express elevators. One is ahead of the other, and passes close enough to FILL FRAME, looking like a spacecraft blazing with lights, bristling with insectile manipulators. TILTING DOWN to follow it as it descends away into the limitless blackness below. Soon they are fireflies, then stars. Then gone. CUT TO: 2 EXT./ INT. MIR ONE / NORTH ATLANTIC DEEP PUSHING IN on one of the falling submersibles, called MIR ONE, right up to its circular viewport to see the occupants. INSIDE, it is a cramped seven foot sphere, crammed with equipment. ANATOLY MIKAILAVICH, the sub's pilot, sits hunched over his controls... singing softly in Russian. Next to him on one side is BROCK LOVETT. He's in his late forties, deeply tanned, and likes to wear his Nomex suit unzipped to show the gold from famous shipwrecks covering his gray chest hair. He is a wiley, fast-talking treasure hunter, a salvage superstar who is part historian, part adventurer and part vacuum cleaner salesman. Right now, he is propped against the CO2 scrubber, fast asleep and snoring. On the other side, crammed into the remaining space is a bearded wide-body named LEWIS BODINE, sho is also asleep. Lewis is an R.O.V. (REMOTELY OPERATED VEHICLE) pilot and is the resident Titanic expert. Anatoly glances at the bottom sonar and makes a ballast adjustment. CUT TO: 3 EXT. THE BOTTOM OF THE SEA A pale, dead-flat lunar landscape. It gets brighter, lit from above, as MIR ONE enters FRAME and drops to the seafloor in a downblast from its thrusters. It hits bottom after its two hour free-fall with a loud BONK. CUT TO: 4 INT. MIR ONE Lovett and Bodine jerk awake at the landing. ANATOLY (heavy Russian accent) We are here. EXT. / INT. MIR ONE AND TWO 5 MINUTES LATER: THE TWO SUBS skim over the seafloor to the sound of sidescan sonar and the THRUM of big thrusters. 6 The featureless gray clay of the bottom unrols in the lights of the subs. Bodine is watching the sidescan sonar display, where the outline of a huge pointed object is visible. Anatoly lies prone, driving the sub, his face pressed to the center port. BODINE Come left a little. She's right in front of us, eighteen meters. Fifteen. Thirteen... you should see it. ANATOLY Do you see it? I don't see it... there!

INTO JAPANESE

次に、2つのかすかなライトが現れ、互いに接近します...明るくなります。それらは2つの深い潜水艇に分解され、急行エレベーターのように私たちに向かって自由落下します。 一方は他方よりも進んでおり、FILL FRAMEの近くを通過します。これは、ライトで燃えている宇宙船のように見え、昆虫のマニピュレーターで剛毛になっています。 それが下降するときにそれに従うために下に傾ける

BACK INTO ENGLISH

Then two faint lights appear, approaching each other ... brightening. They are disassembled into two deep submersibles and fall freely towards us like an express elevator. One is ahead of the other and passes near FILL FRAME. This burns with light

INTO JAPANESE

次に、2つのかすかなライトが現れ、互いに近づきます...明るくなります。それらは2つの深い潜水艇に分解され、急行エレベーターのように私たちに向かって自由に落下します。 一方が他方よりも進んでおり、FILLFRAMEの近くを通過します。これは光で燃えます

BACK INTO ENGLISH

Then two faint lights appear, approaching each other ... brightening. They are disassembled into two deep submersibles and fall freely towards us like an express elevator. One is ahead of the other and passes near FILLFRAME. This burns with light

INTO JAPANESE

次に、2つのかすかなライトが現れ、互いに近づきます...明るくなります。それらは2つの深い潜水艇に分解され、急行エレベーターのように私たちに向かって自由に落下します。 一方が他方よりも進んでおり、FILLFRAMEの近くを通過します。これは光で燃えます

BACK INTO ENGLISH

Then two faint lights appear, approaching each other ... brightening. They are disassembled into two deep submersibles and fall freely towards us like an express elevator. One is ahead of the other and passes near FILLFRAME. This burns with light