YOU SAID:

Film music as in this set work is background music, which is referred to as _____________________. It adds to the ______ of the scene, reinforcing dramatic developments and aspects of ________________ . The music is called ______________________ as it accompanies (plays under) moving pictures, in this case the rolling credits in the opening story of Star Wars. The complete section of music – that is, the Main Title/Rebel Blockade Runner themes - is called a cue. The piece starts with an introductory ________ bar _____________ followed by the main Star Wars theme. A ______________ is a celebratory piece often marking the opening of an important event or ceremony. The music of the fanfare is scored for __________ instruments and often percussion and is short and played _______________ . Structure The main theme is a three part ______________ structure. There then follows a _________ section taking us to the Rebel Blockade Runner theme. Another short link takes us into the ______________ and the piece concludes with a short _________________ to round off the cue. Harmony and Tonlaity Williams uses some common devices in his harmony, __________ and _______________ are important intervals throughout the piece. In addition ___________ harmony can be seen in many bars. This is harmony produced by chords built on intervals of superimposed fourths. The chord in bar 2 is a good example, made up of the notes F – Bflat – E flat – A flat. Williams also uses added ______ chords. This is a major or minor triad with a _________ added. The two chords in bar 12 are E flat major chords, with the notes E flat – G – B flat plus the added ____________ C. This added ________ chord is common in jazz. Finally there are ___________________ chords in bars 53-56, build on the flattened supertonic note in C major. D is the supertonic, which makes D flat the flattened supertonic. Melody Williams uses ___________________ (a recurring musical idea which is associated with a particular theme, character or place). The main melody is associated with __________ ________________. It is a strong, bold, heroic theme, and is of course suited to the character it represents. It is played at the outset by the full _____________. The melody is in the key of B flat __________ . It is diatonic and the opening perfect fifth from tonic B flat to the dominant F is strong. Notice, too, the intervals of a __________ and a ______________ in both the melody and the harmony. Elements from the fanfare add to the power of the melody – for example, the ¬¬¬¬¬¬_______________. Miscellaneous The middle section provides a strong _____________ to the main theme. It is much quieter, thinner in ___________ and very _________ in tempo. It uses longer note values to achieve a _________ feeling. Note the high _____________ writing and the light accompaniment from the __________ . All the other parts are in the ____________ clef with sustained and tied C major chords. The high C ___________ in the flute part add to the eeriness of the music The March sees a return to a robust and fortissimo mood, with the _____________ and basses pounding out a military sounding rhythm to the accompaniment of _________ (full orchestra) chords. The bass features a long __________ of C, replaced twice with the dominant G. Other features include driving ostinato, changing ________, triplets and ______________ chords. The _______________________________________________ is a short end section featuring a very ________ tempo and the driving ______________ of two crotchets and a group of _______________ quavers. This is a dramatic and highly charged final section, though one which does not develop further. The music suddenly reduces to _______ and ends on a long sustained ________ C. This will lead into the next cue in the film sequence. Context Character / Underscoring (X2) / Brass / Mood / Three / Loudly/ Fanfare (x2) Structure Link/ March/ Codetta/ Ternary Harmony and Tonality 7ths / 6th (x4) / 4ths / Neapolitan / quartal Melody Orchestra / triplets / Leitmotif / 4ths / Luke Skywalker / major / 7ths Miscellaneous texture / piccolo / slow / static / trills / Contrast / treble / harp Timpani / metre / pedal note / chromatic / tutti Codetta (Rebel Blockade Runner Theme) / triplet / fast / Ostinato / pedal / pp

INTO JAPANESE

この一連の作業のように映画音楽はバック グラウンド ミュージックは、_ _ _ と呼ばれます。_ _ _ _ _ _ の劇的な動向と視点を強化、シーンの追加されます。音楽は、それは (の下で再生) 動画像を伴うよう _ _ _ と呼ばれる、この場合開口部にローリング クレジット話 o

BACK INTO ENGLISH

Film music is back in this series of tasks is the background music _ _ _ and referred to. _ _ _ _ _ _ The added scenes, enhance the dramatic developments and perspectives. Music is it (of play under) as with a video _ _ _ and in this case called the opening of the rolling credits

INTO JAPANESE

映画音楽はこの一連の作業では背景音楽 _ _ _ と呼ばれます。_ _ _ _ _ _ 追加シーンは、飛躍的な発展と展望を強化します。音楽は、それは (の下でプレー) としてビデオ _ _ _ この場合とローリング クレジットの開口部

BACK INTO ENGLISH

Film music in this series of tasks background music _ _ _ and will be referred to as. _ _ _ _ _ _ Additional scenes enhance rapid development and future prospects. Music is it (of playing under) as video _ _ _ and in this case rolling credit openings

INTO JAPANESE

映画音楽「タスクの背景音楽 _ _ _ のこのシリーズで、と呼ばれます。_ _ _ _ _ _ 追加シーンは、急速な発展と今後の展望を向上させます。音楽それは (の下で遊んで) ビデオ _ _ _ として、この場合はクレジットの開口部をローリング

BACK INTO ENGLISH

Film music "background music for the task _ _ _ of the referred to in this series, and. _ _ _ _ _ _ Additional scenes will enhance rapid development and future prospects. Music's (of playing under) video _ _ _, rolling opening credits in this case

INTO JAPANESE

映画音楽「参照のタスク _ _ _ ため音楽背景にこのシリーズの積の _ _ _ _ _ _ の追加シーンを強化する急速な発展と今後の展望。音楽 (の下で遊んで) ビデオ _ _ _、オープニング クレジットをこの場合圧延

BACK INTO ENGLISH

Film music "reference task _ _ _ for music background of the product of this series _ _ _ _ _ _ of additional scenes enhance the rapid development and future prospects. Music (of playing under) video _ _ _, in this case rolling opening credits

INTO JAPANESE

映画音楽「参照タスク _ _ _ このシリーズ _ _ の _ _ _ _ の追加シーンの製品の音楽背景を強化発展と今後の展望。(の下で遊ぶ) の音楽ビデオ _ _ _ には、ここではオープニング クレジットを圧延

BACK INTO ENGLISH

Film music "reference task _ _ _ series _ _ of _ _ _ _ the products add scene music background for strengthening development and future prospects. (On playing under) of music videos _ _ _ the rolling opening credits here

INTO JAPANESE

映画音楽「参照タスク _ _ _ シリーズ _ _ _ _ _ _ 製品の追加バック グラウンド ミュージック シーンの開発と今後の展望を強化しますします。(の下で遊ぶ) 上の音楽動画 _ _ _ ここクレジット圧延を開く

BACK INTO ENGLISH

Film music "reference task _ _ _ series _ _ _ _ _ _ enhances the development of products adding a back ground music scene and the future of the. (On playing under) on the music video _ _ _ last credit rolled-up

INTO JAPANESE

映画音楽「参照タスク _ _ _ シリーズ _ _ _ _ _ _ は、バック グランド音楽シーンとの将来に追加する製品の開発を強化しますします。(の下で遊ぶ) のミュージック ビデオ _ の _ の _ の最後のクレジットに重ね

BACK INTO ENGLISH

Film music "reference task _ _ _ series _ _ _ _ _ _, intensify the development of products to add in the future and the back ground music scene the. (For playing under) of music videos _ of _ the _ of over the final credits

INTO JAPANESE

映画音楽「タスク _ _ _ シリーズ _ _ _ _ _ _ を参照、将来に追加する製品やバック グランド音楽シーン開発を強化します。(の下で遊ぶ) のミュージック ビデオ最後のクレジット上の _ _ _ の

BACK INTO ENGLISH

Film music "task _ _ _ series _ _ _ _ _ _ enhances the back ground music scene developed and products to add a reference in the future. (On playing under) of music videos of the last credit on the _ _ _ of

INTO JAPANESE

映画音楽「タスク _ _ _ シリーズ _ _ _ _ _ _ は、バック グランド音楽シーンの開発将来参照を追加する製品を強化します。(の下で遊ぶ) 上の _ _ _ の最後のクレジットのミュージック ビデオの

BACK INTO ENGLISH

Film music "task _ _ _ series _ _ _ _ _ _ that will enhance your product development future of back ground music scene to add a reference. (Of playing under) on the _ _ _ the end credit music videos

INTO JAPANESE

映画音楽「タスク _ _ _ シリーズ _ _ _ _ _ _ の参照を追加するバック グラウンド ミュージック シーンの製品開発の将来を強化しますします。(の下で遊んで) _ _ _、エンド クレジットのミュージック ビデオ

BACK INTO ENGLISH

Film music "task _ _ _ series _ _ _ _ _ _ of the enhance the future of product development in the back ground music scene to add a reference to the. (On playing under) _ _ _ the end credit music videos

INTO JAPANESE

映画音楽「_ _ _ シリーズの _ _ の _ _ _ _ 強化へ参照を追加するバック グランド音楽シーンで製品開発将来のタスクします。(の下で遊んで) _ _ _ 終わりの信用音楽ビデオ

BACK INTO ENGLISH

Film music "_ _ _ series _ _ of _ _ _ _ in the back ground music scene to add a reference to the task for future product development. (On playing under) _ _ _ the end credit music videos

INTO JAPANESE

映画音楽「_ _ _ シリーズ _ _ _ _ _ _ 今後の製品開発タスクへの参照を追加するバック グランド音楽シーンでの。(の下で遊んで) _ _ _ 終わりの信用音楽ビデオ

BACK INTO ENGLISH

Film music "_ _ _ series _ _ _ _ _ _ in the back ground music scene to add a reference to the future product development tasks. (On playing under) _ _ _ the end credit music videos

INTO JAPANESE

映画音楽「_ _ _ シリーズ _ _ _ _ _ _ 今後の製品開発タスクへの参照を追加するバック グランド音楽シーンで。(の下で遊んで) _ _ _ 終わりの信用音楽ビデオ

BACK INTO ENGLISH

Film music "_ _ _ series _ _ _ _ _ _ in the back ground music scene to add a reference to the future product development tasks. (On playing under) _ _ _ the end credit music videos